If prolonged, powerlessness threatens one’s ability to sustain courage and hope. Euridice is the wife of Orpheus in the 2019 musical 'Hadestown'. al charts the course from well-meaning reflection on one’s self and circumstances into total dysphoria: " Self-regulation theories (Carver & Scheier, 1998 Duval & Wicklund, 1972 Martin & Tesser, 1996 Pyszczynski & Greenberg, 1987) argue that self-focused rumination is initiated by perceived discrepancies between one's current state or situation and a goal or desired state … leads to negative affect when it involves perseverating on self-discrepancies." "When one is rendered powerless in any significant area of life," Gershen Kaufman writes in The Psychology of Shame, "one becomes susceptible to depression, hopeless, and, eventually, despair. The main story focuses on Orpheus, a poor boy with the gift of music, and Eurydice, the hungry young girl who was a a runaway from everywhere shed.
When he arrives, Hades strikes a deal with the boy. "Rethinking Rumination" by Susan Nolen-Hoeksema et. In case you’re unfamiliar, the original myth sees Orpheus trek to the underworld to retrieve his lost love, Eurydice. The human mind is made profoundly vulnerable during a long journey with an uncertain outcome. He strikes a deal with Hades that if they both could travel out of the Underworld with Eurydice behind Orpheus, and he never turned around to check if she was. Though the story is now over 2000 years old, and the tragic ending well known, it remains. The musical opens with the three Fates describing the setting ('Any Way the Wind Blows'), after which Hermes, the narrator, enters to introduce each of the characters. Mitchell’s insights are supported by modern psychology. Hadestown is such a songan adaptation of the Orphesus and Eurydice story from Greek mythology. As in the 2010 album, Hadestown adapts the myth of Orpheus and Eurydice to a Great Depression-era inspired post-apocalyptic setting.
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